By Joe Hadsall
Globe Features Editor
JOPLIN, Mo. —
The tones of a cello are the closest to a human voice as any instrument created. Matt Haimovitz is regarded as being able to create a variety of voice-like tones, including the voices of Arcade Fire’s Regine Chassagne and Radiohead’s Thom Yorke.
“With every song, I try to think of the cello as a human voice,” Haimovitz said. “The ideas of speech, inflection, rhetoric, I’m constantly thinking about that. My idea is to make the instrument sing.”
Haimovitz will perform next week in Joplin as part of Pro Musica Joplin’s season of chamber music. Bach will be featured at two performances; Thursday at First United Methodist Church and Nov. 2 at Phoenix Fired Art.
The program will be announced from the stage during both concerts, and could include selections by Bach, Ned Rorem, Domenico Gabrielli, the Beatles and Jimi Hendrix.
Haimovitz enjoys being able to pick and choose selections on the fly during a show, he said. It lets him play what is currently on his mind. However, he said that he has already decided to play a few selections:
“Etude Borealis 1” by John Cage, during Thursday’s concert. Haimovitz said the piece is an immensely difficult selection, and he is pleased to play it in honor of the 100th anniversary of the composer’s birth.
Several Bach suites during both concerts.
An arrangement of “Helter Skelter” by the Beatles and Luna Pearl Woolf during Thursday’s concert.
Debuting at age 13 in 1984 as a soloist with Zubin Mehta and the Israel Philharmonic, Haimovitz has played worldwide, including at Carnegie Hall, and recorded albums through his Oxingale Records, an independent label he founded with Luna Pearl Woolf.
Bonnie Yetter, director of Pro Musica, said Haimovitz is a trailblazer for different performance venues, such as Phoenix Fired Art.
“He pioneered going to bars and nightclubs to play,” Yetter said. “He is used to playing where people aren’t just sitting.”
Haimovitz said he relishes the chance to play in areas with different acoustics. He recently played in a Kansas City building that used to be a speakeasy, and the experience was incredible, he said.
“It instantly gives a completely different context and atmosphere,” Haimovitz said of playing in non-traditional locations. “People listen differently. In a way, it feels like going to the origin of the tradition. There’s something miraculous when you play in an unexpected place. It heightens the awareness of an amazing moment.”
Want to go?
Cellist Matt Haimovitz will perform twice next week in Joplin: